Equivalents II (2026 spring)

The World Through AI
Schirn Kunsthalle, Frankfurt

Digital Giverny (2026 winter)

NFT publication, Automata

A Life in Computation (2026 winter)

Interview, Automata

Noise-Signal (1986-1990) (2026 winter)

Exhibition Catalog

Spatial Distance as an Indicator of Semantic Variances in the “Pockets Full of Memories” Installation (2025 fall)

Signata 16, Annals of Semiotics

Equivalents II (2025 summer)

Digital Art Mile, Basel

Equivalents II (2025 spring)

Le monde selon IA, Jeu de paume, Paris

George Legrady: Scratching the Surface RCM Galerie 32 rue de Lille, Paris (2025 winter)

by Joseph Nechvatal, WhiteHot Magazine of Contemporary Art

Scratching the Surface (2024 fall)

RCM Galerie, Paris

Exploring the aesthetics of AI (2024 fall)

UCSB News, Santa Barbara

Conversation (1987) (2024 fall)

in Digital Witness: Revolutions in Design, Photography and Film", Los Angeles County Museum of Art (Getty PST "Art + Science Collide")

AI, Image & Fiber Synthesis (2024 fall)

Solo exhibition, Nan Rae Gallery,
Woodbury University, Burbank

Phantom Waves (2024 fall)

"Seeing the Unseeable: Data, Design, Art", curated by Julie Joyce and Steve Nowlin, Alyce de Roulet Williamson Gallery, ArtCenter College of Art & Design, Pasadena (Getty PST "Art + Science Collide")

Art of the 1980s: As If the Digital Mattered (2024 summer)

Patrick Frank, De Gruyter

(2024 summer)

Acquisition of three works from the Noise-Signal Series (1988) by the Centre Pompidou, Paris

Mythic Narratives in MidJourney and Stable Diffusion (2024 spring)

International Conference, Photography in Virtual Culture University of Westminster and the Photographers' Gallery, London

Abstraction Studies: George Legrady's Collaborations and Mythic Narratives (2024 winter)

Artillery Magazine, Volume 18, Issue 4, March / April 2024, Los Angeles

Anamorph-Lattice (2024 winter)

in "Endless Variations", an exhibtion curated by Dominique Moulon, Alain Thibault, and Catherine Bédard at the Canada Cultural Centre, Paris

Abstraction Studies (2023 fall)

Solo exhibition, Pari Nadimi Gallery, Toronto (Cancelled)

Going Home, The Untold Story of Nemaska Eenouch (2023 fall)

Cree Nation of Nemaska, Quebec

Abstraction Studies (2023 summer)

in "A kind of Alchemy: The Work of Art in the Age of Artificial Intelligence", a virtual online exhibition curated by Francesca ALbrezzi and Emily Lawhead, for the DAHJ Gallery, Munich

Let's Talk about Archiving (2023 spring)

Interview by Alejandro Quinones Roa for the "Archive of Digital Art", Center for Image Science, Donau University, Krems, Austria

Making Waves (2023 spring)

A report on the "Phantom Waves" installation at UC Santa Barbara by Debra Herrick, UCSB Press

Voice of Sisyphus (2023 spring)

installation in "Topologies of the Real" curated by Zhang Ga, Shenzhen Museum of Contemporary Art and Urban Planning, China

How a Digital Artwork Helped The Seattle Public Library lead in Book Data (2023 winter)

by Eliza Murray, Communications, Seattle Public Library

Intersections of Visual Semiotics and Computation Design (2023 winter)

Keynote Lecture on Generative AI, Université de Liège, Belgium

Phantom Waves (2022 fall)

installed at Elings Hall, California NanoSystems Institute

Avec George Legrady, archéologies à l’ère numérique (2021 fall)

Revue Proteus 17, Cahiers des théories de l'art, Gilles Rouffineau (ESAD) Grenoble-Valence, France

Conversation with Cree author Paul Seesequasis [Zoom] (2020 fall)

Photographic Arts Council, Los Angeles

Continuity of the Still Image (2020 winter)

article by Jeanette Zwingenberger, Paris, France

Continuity of the Still Image (2020 winter-spring)

Inda Gallery, Budapest, Hungary

Illustrating Dynamics & Probability (2019 fall)

ICERM, Brown University

Blanket Toss Under the Midnight Sun (2019 fall)

Paul Seesequasis, Random House, Canada

Digital Art through the Looking Glass (2019 fall)

Edition Donau-Universität, Krems, Austria

Making Visible the Invisible 2005-2019 (2019 summer)

Siggraph 2019, Los Angeles

The Ising Model (2019 summer)

VisAp'19, Chengdu, China

Photo London 2019 Art Fair (2019 spring)

Inda Gallery, Budapest

From Analog to Digital (2019 spring)

keynote Lecture, Central Academy of Fine Arts, Beijing, China

Graham Foundation Advanced Studies in Fine Arts (2019 spring)

publication award, Chicago

StarGazers: Contemporary Art & Astronomy (2019 winter)

Orange Coast College

A Brilliant Spectrum (2019 winter)

Santa Barbara Museum of Art

Art & Artificial Intelligence (2019 winter)

College Art association Conference, NYC

Ising Model: Blink (2018 fall)

Siggraph Asia, Tokyo 2018

Four-Dimensional Universe, (2018 fall)

Edward Cella Gallery, Los Angeles

George Legrady, Photo Alliance (2018 fall)

San Francisco Art Institute

Visiting Fellow (2018 winter)

, iCinema, University of New South Wales, Sydney

James Bay Cree in 1973 (2018 winter-spring)

Art & Architecture Hall, UC Santa Barbara

Projects in Visualizing Data (2017 fall)

EPFL (Ecole Polytechnique) Lausanne

Voice of Sisyphus, (2017 fall)

in Datumsoria, ZKM, Karlsruhe

Anamorphic Fluid (2017 summer)

Currents New Media, Santa Fe

Footprints: A Walk through Generations (2017 spring)

Aanischaaukamikw Cultural Institute, Quebec

Snapshot of Eeyou Istchee (2017 winter)

the Nation of the Cree

Photographs of a Cree Community (2016 fall)

HyperAllergic

Photograph of the Cree (2016 fall)

Creative Capital Blog

Anamorphic Fluid (2016 summer)

in SV+VS at Dongdaemun Design Plaza, Seoul, Korea

John Simon Guggenheim Fellowship (2016 spring)

NYC

Digital Arts Lecture (2016 winter)

Pratt Institute, Brooklyn

Artsy (2016 winter)

(review), Los Angeles

Los Angeles Times (2016 winter)

(review) Los Angeles

Day & Night (NewsHawk) (UCSB Current) (2015 fall)

Edward Cella Gallery, Los Angeles

Archiving Online (2015 fall)

Wolfgang Ernst, Looters, Smugglers, Collectors, Onstad Kunstsenter, Norway

Architectures de Mémoire (2015 fall)

Paris, France

(2015 fall)

Autovision in Communication & Control, Fotofest Mannheim, Heidelberg, Germany

InfoSphere (2015 fall)

ZKM (Center Media Art & Media), Karlsruhe, Germany

Constructions (2015 summer)

Edward Cella Gallery, Los Angeles

Voice of Sisyphus (2015 summer)

| Slice, Chronus Art Center, Shanghai, China

Digital Technologoies as Medium for Cultural Narrative (2015 summer)

, Chronus Art Center, Shanghai, China

Imagining Macondo (2015 spring)

Bogota International Art fair, Colombia

Anecdoted Archive (2015 spring)

Center for Digital Cultures, Brussels, Belgium

Voice of Sisyphus (2014 fall)

IEEE VisWeek 2014 , Paris

Arte y Ciencia de Interfaz (2014 fall)

Planetario de Bogota, Bogota, Colombia

Clocks for Seeing: Time and Motion (2014 fall-2015 spring)

National Gallery of Canada, Ottawa

6018 (2014 fall)

Edward Cella Gallery , Los Angeles

Texas Contemporary (2014 fall)

Edward Cella Gallery, , Los Angeles

International Conference on Digital Intelligence (2014 fall)

Nantes, France

Exquisite Vision (2014 fall)

ISEA (International Society for Electronic Arts), Dubai

Interrogating-Methodologies (2014 spring)

Conference,UCSB

Swarm Vision and the New Everyday (2014 winter)

Media Commons, NY

Miami Project (2013 fall)

Art Basel, Edward Cella Gallery

Swarm Vision (2013 fall)

Run Run Shaw Media Centre, Hong Kong

Voice of Sisyphus, Sight & Sound (2013 fall)

Beall Center for Art & Technology, UC Irvine

On the Road (2013 fall)

Pari Nadimi Gallery, Toronto

Swarm Vision (2013 fall)

Vox Gallery, Mois de la Photo à Montreal

Swarm Vision (2013 summer)

ACM Siggraph, Anaheim

Algorithmic Animations (2013 spring-summer)

in Data Curation, Seoul National University, Seoul, Korea

Refraction (2013 fall-2013 summer)

21c Museum hotel, Cincinnati

Space (2012 fall)

Interdisciplinary Panel, SMMMASH, Stanford University, Palo Alto

Data is Beautiful (2012 fall)

Hungarian Academy of Fine Arts, Budapest

Refraction (2012 fall)

Nature Morte Gallery, Berlin

Refraction (2012 summer)

in Stage Presence, San Francisco Museum of Modern Art, San Francisco

James Bay Cree Research Award (2012 summer)

(National Science Foundation ARC)

Seattle Library Project Data Visualizations (2012 spring)

at VisWeek 2012, Seattle

Slice (2012 spring)

in EMOÇÃO ART.FICIAL 6.0, Itau Institute, Sao Paulo, Brazil

93106 (2012 spring)

(university press release) UC Santa Barbara

Refraction (2011 fall)

Edward Cella Gallery, Los Angeles

Science & Tech Workshop Invitation (2011 fall)

National Science Foundation, Arlington, VA

ISEA Istanbul (2011 fall)

Presentations on Cell Tango and Data visualization

Visually Applied Robotics (2011 fall)

National Science Foundation (IIS)

Robert W. Deutsch Foundation (2011 fall)

fellowship recipient

Data Visualization (2011 fall)

Visiting faculty, fall semester at the New School, New York

Machine Vision (2011 fall)

lecture, ZKM (Center for Art & Technology), Karlsruhe, Germany

Arts, Humanities and Complex Numbers (2011 spring)

at NetSci Conference, Ludwig Museum, Budapest

Projects in Data Visualization (2011 spring)

at TEDxsv, Stanford Graduate School of Business

Science, Memory, Art (2011 winter)

Panel at Edward Cella Gallery, Los Angeles

Refraction (2011 winter)

[catalog] is now available at blurb.com

Cell Tango (2011 winter)

in Spread, exhibition, curated by Off-Space, SOMArts, San Francisco

Data Workshop (2010 fall)

HEAD, Haute Ecole d'Art & Design, Geneva

Interview (2010 fall)

MAS Context: Issue 7 Information, MAS Studio, Chicago

Cell Tango (2010 fall)

Mediations Biennale, Poznan, Poland

Form+Code (2010 fall)

edited by C.Reas, C.McWilliams, Princeton Architectural Press

Making Visible the Invisible (2010 spring)

in Art + Science, Thames & Hudson, Stephen Wilson

Cell Tango (2010 spring)

featured artwork at the Lawrence Hall of Science, Berkeley, CA

We Are Stardust (2010 winter)

at CODE Live, Vancouver Olympics, Vancouver, BC

Agency & Algorithms (2009 fall)

keynote lecture at Interactive Futures, Vancouver, BC

Can You See Me Now? (2009 summer-fall)

review, Boston Globe, Mass

Cell Tango (2009 summer-fall)

Davis Museum, Wellesley College, Mass

Blink (2009 summer-fall)

Nevada Museum of Art, Reno

Retelling (2009 summer)

inaugural in Shangha eArts Beyond, Shanghai

Blink (2009 summer)

and Stardust,Edward Cella Gallery, Los Angeles

Interview with Tulsa Kinney (2009 summer)

Artillery, Los Angeles

Anecdoted Archive from the Cold War (2009 spring)

in "Histoire à l'ère numérique" Plug-In Gallery, Basel

Blink (2009 winter-spring)

Stiftung Ahlers Pro Arte, Hanover, Germany

Making Visible the Invisible (2009 winter)

in Art & Electronica Media, Phaidon, Edward Shanken

George Legrady’s Images in Transit (2008 fall)

[portfolio] by Jean Gagnon, Ciel Variable, Montreal

Blink (2008 fall)

collection of DE Shaw Group, Global Investment [research]

Stardust (2008 fall)

Edward Cella Gallery for Art & Architecture, Los Angeles

Cinema, interactivité, société (2008 fall)

European School of the Image, Poitiers, France

China in Transition (2008 fall)

for Stiftung Ahlers Pro Arte, Hanover, Germany

Public Memories (2008 fall)

Conference, Syracuse University, Syracuse

Keynote lecture (2008 fall)

Garanti Contemporary Art Center, Istanbul, Turkey

Data Flow, (2008 summer-fall)

Commission by Gensler for Corporate Executive Board, Arlington,. VA

We Are Stardust (2008 fall)

with Caltech NASA Spitzer Center and the Art Center College of Design

Cell Tango (2008 fall)

Inauguration at the National Theatre, TAP, Poitiers, France

Anecdoted Archive from the Cold War (2008 fall)

in Drifting Slowly, Pari Nadimi Gallery, Toronto

Master Class (2007 fall)

Haute Ecole Supérieur de Design, Geneva

Visualizations & Algorithms (2007 fall)

Fundacion Telefonica, Buenos Aires

Algorithmic Visualizations (2007 summer)

Edward Cella Gallery for Art & Architecture, Santa Barbara

Pockets Full of Memories (2007 summer)

in Zone V2_, Museum of Contemporary Art, Taipei

Visual Studies Conference (2007 summer)

Scholarly Communication Institute, University of Virginia

Global Collaborative Visual Mapping Archive (2007 summer)

National Academy of Sciences, Washington

Blink (2007 summer)

Installation at the Santa Barbara Museum of Art

Data Visualization (2007 spring)

Workshop, Haute Ecole Supérieur de Design, Geneva

Data Visualization (2006 fall)

Workshop, International New Media Institute, Luebeck

Algorithmic Visualizations (2006 fall)

Solo exhibition Pari Nadimi Gallery, Toronto

ACM Multimedia 2006 (2006 fall)

Co-chair of Art Exhibition Program, UCSB

Global Collaborative Visual Mapping Archive (2006 summer)

Premiere at ISEA, San Jose

Polyptic (2006 summer)

2006 International Beijing Media Festival, Millenium Art Museum, Beijing

Pockets Full of Memories (2006 spring)

Frankfurt Museum of Communication

BlackBox Invitational (2006 winter)

Curated by Christiane Paul, ARCO Art Fair, Madrid

Algorithmic Visualizations (2006 winter)

Telic Gallery, Los Angeles

Art of Mapping Statistics (2005 fall)

Interview with Roberto Simanowski

Making Visible the Invisible (2005 fall)

Whitney Museum Artport Portal

Intelligencer, Stranger (2005 fall)

Seattle Public Library Reviews

Kinetic Flow (2005 fall)

Commission for the Los Angeles Metro Rail Subway

International Conference for Science & Technology into Society (2005 summer)

KAIST, Seoul, Korea

Transliteracies (2005 spring)

Conference on Online Reading, UCSB

George Legrady (2005 spring)

(Interactive Publication) Langlois Foundation, Montreal

Pockets Full of Memories (2005 winter)

solo exhibition, Cornerhouse Gallery, Manchester

Making Visible the Invisible (2005-2014)

Public arts commission, Seattle Public Library

Algorithmic Visualizations (2004 fall-2005 winter)

solo exhibition at the Philbrook Museum of Art, Tulsa

Slippery Traces (2004 fall-2005 winter)

in "Database Imaginary", Banff Centre for the Arts

Distributed Form, Architecture Media & Design (2004 fall)

Symposia, UC Berkeley

Est-ce que l'art à besoin du numérique (2004 summer)

le centre culturel de Cerisy-la-Salle, France

Pockets Full of Memories Seminar (2004 summer)

with academician Teuvo Kohonen, Kiasma, Helsinki

Pockets Full of Memories II (2004 spring-summer)

Museum of Contemporary Art Kiasma, Helsinki

Interdisciplinary Collaborative Process (2004 winter)

Interaction Design Institute, Ivrea, Italy

Pockets Full of Memories II (2003 fall)

"Aura", c3 Center for Culture and Communication, Budapest

Pockets Full of Memories II (2003 fall)

Honorable mention, Vida 6.0, Fundacion Telefonica, Madrid

Pockets Full of Memories (2003 summer)

honorable mentions at Ars Electronica Festival, Linz

Vectors: Digital Art of Our Time (2003 april)

New York Digital Salon

Pockets Full of Memories (2003 february)

at DEAF 03, Rotterdam

Slippery Traces (2002 fall-2003 spr)

in Future Cinema at ZKM, Karlsruhe, Germany

Sensing Speaking Space (2002 fall)

and panels at ISEA 2002, Nagoya, Japan

Chance Encounters (2002 fall)

Los Angeles Metrorail Art Commission, Los Angeles

Creative Capital Foundation (2002 summer)

Emerging Fields Grant Recipient